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The lights go out at McKinley High this week on Glee, forcing at the students to use flashlights and forcing me to wonder why they don’t just open the blinds. Inspired by the lack of electricity, Mr. Schue makes it “unplugged week,” but the only one who seems to embrace the lack of synth is Sam. The episode also takes a turn for the very serious when Ryder makes a personal confession to the glee club. Is it just me or does it feel like Glee is really hitting on hard issues this season? We also learn some important lessons about the dangers of mylar balloons.
Over in New York City, Rachel and Kurt are concerned about Santana’s lack of direction, and Sarah Jessica Parker makes a triumphant return as Kurt’s “fairy godmother.” Get my highlights and a Spotify playlist of all the songs in the episode when you read more.
First of all, shout out to American Idol’s Jessica Sanchez, who we see only a glimmer of as a member of another team competing against the New Directions at Regionals. She belts out “The Star-Spangled Banner” like a pro, and I’m really looking forward to seeing and hearing more of her.
Despite the fact that according to Kurt and Rachel, Santana is a deadbeat, she’s actually the smartest character on the show. She’s got the wittest one-liners (“I don’t think I need to be taking any advice from TV’s Blossom”), and she really has a grip on reality. I love the end of this episode when she hugs her inner child. It’s sweet and a little whimsical, just the way I like my Glee.
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In this week’s episode of The Big Bang Theory, Sheldon and Amy deal with his need for closure, Penny tries to get excited about Buffy the Vampire Slayer, and Raj tries to butch it up. In other words, this is an episode about people trying to change something deeply ingrained into who they are and failing absolutely spectacularly.
First we have Sheldon, who finds out that Alphas has been canceled, and what’s more, it ended on a cliffhanger. We’ve all been there, I’m sure, but the problem is worse for Sheldon who can’t even stand to not complete his door-knocking, much less not know what happens after the disastrous scenario in which Alphas ended. (And can I just say… obscure!)
Amy decides to try to help him out by conditioning him to accept life without resolution and hands up, who here over-related to him just not being able to handle it? Particularly at the end, when he gets his closure and all but passes out with relief. My hand is in the air and I’m guessing a few of yours are as well.
Meanwhile, Raj decides to butch it up after stalking his girlfriend online and finding that she had referred to him as feminine. His solution to this seems to involve wearing a hockey jersey and serving frozen burritos for dinner, and I laughed a truly ridiculous amount because I completely believe that that is what Raj thinks masculinity comprises. Naturally, it also fails, but luckily she doesn’t mind his lack of traditional masculinity, and in fact it’s one of the things she really likes about him. I think I’m slowly coming around to liking her.
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Would you book another trip to New Orleans?
That is the question for fans of The Vampire Diaries after tonight’s shocking episode, which served as a backdoor pilot for The Originals spinoff, which centers on fan favorite Original siblings Klaus (Joseph Morgan), Elijah (Daniel Gillies) and Rebekah (Claire Holt) stirring up trouble in The Big Easy, a supernatural empire that Klaus helped create back in the day.
And though Klaus heading back to New Orleans intent on destroying a coven of witches looking to destroy him, he got more than he bargained for when he ran into werewolf Hayley (Phoebe Tonkin)! Plus, we met (and swooned over) new characters that we’ll be spending a lot of time with should the CW pick up The Originals to series…
We better start with the hybrid baby because, WHAT? There’s been some discussion about why Hayley would play a role in the spin-off (well, other than The CW isn’t going to let Phoebe Tonkin slink away so easily), but now we know: She’s miraculously carrying Klaus’s child after their almost-forgotten one-night stand some episodes ago. The episode chalked up the pregnancy to a loophole in the system, which is clearly the quickest and pilot-iest way to answer “how?” without actually answering it. The mystery behind the pregnancy will likely drive The Originals, as will Klaus’s surely slow-moving journey of coming to terms with the baby’s existence.
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?Glee‘ delivered it’s most emotional and powerful episode ever on April 11 as a traumatic event rocks McKinley High. Plus, Ryder comes face-to-face with his online love, Katie, and the result is shocking.
Glee co-creator and executive producer Ryan Murphy warned us that the April 11 episode would be “emotional” and he didn’t lie. He tweeted on April 3, “Just saw the rough cut of next week’s ?Shooting Star‘. It is the most powerful emotional Glee ever. So proud of the cast & crew.” This is a definite understatement.
During a New Directions rehearsal, focused on “last chances” to share one’s feelings, two shots ring out in the halls of McKinley High. It’s a heart-stopping moment that threatens to turn the students’ worlds upside down! All of the harrowing action is confined to the choir room, where Will and Beiste immediately turn off the lights and find hiding places for the students, trying to squash any attention that may attract the shooter.
Artie takes out his camera phone and records his peers’ messages to their loved ones, just in case.
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“Patients say it all the time. Tell me straight up, I just want to know what’s going on. Tell me. I can handle it.” At least that’s what Meredith thinks, but her emotions change when she gets her genome results back. As it turns out, Meredith tests positive for more than one of the genetic markers of Alzheimer’s. Meredith and Derek later discuss her mapping results, but Meredith just wants one thing ? an updated will ? considering Lexie is still Zola’s guardian.
Meredith later suggests appointing Cristina and one of Derek’s sisters, whomever he chooses, to be guardians of their children. Derek takes this opportunity to remind Meredith that Cristina doesn’t want to be a mom, which she reaffirms to Meredith when they go for a walk together. Regardless of what happens, Cristina asks Meredith to have the kids for three weeks of the year to travel, teach them lessons (like putting a condom on a cucumber) and to take them for their first tattoos, at a “clean place” of course. Oh, Aunt Cristina. “I’ll be the coolest aunt in the world. I just can’t be a mom” she said.
Speaking of Cristina, she’s convinced there’s something going on with Owen because he’s acting “crazy” and blew off their plans the night before. His concern over the status of Cristina’s patient, Ethan’s father, has turned into an obsession that she’s become tired of. Ethan’s mother, on the other hand, awakens and remembers her son, which Owen feels better about.
Leah spends the day as Bailey’s intern, a gig that she unsuccessfully tries to get out of. The day starts badly for the pair when Bailey scolds Leah for leaving a pizza crumb on her laptop. The two work together on one of Bailey’s recent patients, Joyce, who had a dialysis graph put in a few weeks ago. Her husband brought her back after a few fevers. The doctors discover she has an infected insertion site so they run more labs and discover that Joyce has a high white count and her electrolytes are off. When they decide to admit her, Leah informs Bailey that there was also another complication with Bailey’s other patient. Although Bailey shuts her down and tells her to “fix things” Leah’s convinced she’s responsible for this mess because she came in sick.
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Tenure is the bane of any college professor’s existence. It’s great if you can get it, but the road to a tenured position is paved with years of uncertainty and endless amounts of inter-departmental politics. Tenure was the dragon our heroes wrestled with in this week’s episode. And as expected, they were each forced to make a choice between their years of friendship and the prospect of lifelong financial and professional security.
This could have been the basis for a really dramatic episode, but with the season finale still a few episodes off, perhaps now wasn’t the time. Unfortunately, the humor wasn’t as strong as it could have been, resulting in an episode that was neither that funny nor very dramatic.
“The Tenure Turbulence” brought back two supporting players on the Caltech scene that have crossed paths with Sheldon and the gang previously in the season – rival professor Barry Kripke (John Ross Bowie) and HR director Janine Davis (Regina King). Right away that started the episode out on muddy ground. Mrs. Davis is an enjoyable enough character, mainly because of the way she brings out Sheldon’s unintentionally racist side.
That element certainly came back into play as Sheldon did his best to woo her with inappropriate gifts and other misguided gestures. Watching Sheldon’s hip little handshake maneuver at the very end was probably the highlight of the week.
So it wasn’t exactly an ends-in-fireworks first date, was it Newbies? But were you really expecting that? Tonight’s episode of New Girl had a lot to say, not just about Jess and Nick’s relationship, but about the relationships of all the loftmates. It’s a fragile ecosystem – one that can be thrown off-kilter by a lusty gaze or a missing phone charger? which is exactly where the episode began.
“First Date” opened with Nick, Jess, and Schmidt lying in wait to pounce on Winston for stealing the communal phone charger (a foolhardy roommate bonding tactic if there ever was one). In the subsequent scuffle, Winston went for Schmidt’s face, and Schmidt screamed: “Not my face! Hey! That’s the moneymaker!” Jess basically bounced around like the world’s worst sparring partner as Winston coolly walked around her, so Schmidt broke into a sprint after him while screaming, “You can’t outrun the Jewish!”
Their exit left Jess and Nick alone in the living room to mumble, laugh, and descend into awkward silence as their un-DTR’d feelings hung in the air. They wondered aloud, “What should we do?” and laughed “Definitely not make out!” Nick broke the tension by? creating more tension. Specifically, he grabbed Jess’s upper breast – and continued to hold it as they clumsily described their ever-shifting dynamic (from friends to making out to hating each other’s guts to grabbing each other’s boobs). With things as muddled as ever, Nick doubled down on his bad instincts and grabbed Jess’s other boob. She deemed this development “a little bit better, a little bit worse.” Annnnnd? scene.
To sort out this mess, Nick and Jess turned to their most trusted confidants. Jess visited Cece and placed her hand on her chest where Nick had. She asked, “Would you describe this as a sexual act?” Cece answered, amusingly, “I would describe that as the pledge of allegiance, which can be sexual.” Jess got worked up as she voiced her confusion over Nick’s inability to be clear about his feelings and/or deliver on her expectations. At which point Cece noted Jess was still clutching her own boob. Jess admitted it somehow calmed her. How far you want to read into that, ?shippers? that’s on you.
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Two and a half men returned this week, with a bang, as Jake brought both trouble and a great many laughs home with him.
The head chef came back after a split with Tammy. First off, how awesome is it that Jake is in charge of actual human beings?!? That is a huge step, although he is not handling the job well, instructing his subordinates to do nasty things with food. Typical Jake, of course. He even gave a shout out to the The Big Bang Theory by dropping a “rad” on “Bazinga! That’s From A TV Show.”
That aside, let us get to the main event: Jake cheated on Tammy with her daughter, Ashley. Yes, you read that right.
Jake got that “elusive mother-daughter combo,” as Walden eloquently put it in the way only he can.???
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This week’s episode of Criminal Minds opens with a middle-aged gentleman closing his convenient store for the evening. When out of the blue, two kids on their bikes drive up to Anthony Rango. The two boys would like some candy. The store owner reopens the door for them to sneak in for a few seconds. The boys rush into his establishment, and after gathering their sweets, they immediately leave the scene. The joyous man now with key in hand and ready to lock the door, he gets hit from behind. The unsub beats him and drags Mr. Rango by his feet back into his store. The unsub, Rodney Harris, closes the metal security door.
Next we see, Morgan trying to put a window into a window frame in his apartment. Rossi knocks on an adjacent window, shaking a bottle of alcohol. The two agents smile. When they’re ready to enjoy their beverage, Morgan receives a call from Garcia on his cell.
At the BAU headquarters, the team is already assembled around the round table. Garcia begins this week’s slideshow with two male victims: Anthony and Michael. Both were badly beaten and found with literally their pants down.
The team is off to Chicago, Illinois-Morgan’s old stomping ground. Before they arrive, we see an African-American father outside of a diner hugging his son goodbye. After the hug, his wife walks their son across the street. The unsub is sitting in a parked car. He is wearing a gray sweatshirt with the hood partially covering his face. He looks angry. We see, in his side mirrors, a shadow of a man boxing.
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It appears that Kevin is plagued by Crowley. He hears him in his head and in his dreams. His dreams are full of torture Crowley dishes out and the pressure of getting the tablets translated is really getting to the young man. When Dean and Sam show up he is carrying around a big metal frying pan and is in a real foul mood. They learn that he hasn’t heard from Garth, but he has translated the next trial, which is to rescue a soul from hell and send it to heaven.
In order to figure out how one can sneak into hell the boys summon and capture a Crossroads Demon, who Dean is disappointed that it isn’t a hot chick, and questions him. Finally he gives in and tells them that there are some Reapers that are smuggling people into hell as well as heaven, for a price. Before the boys put the demon out of its misery they learn everything they need to know about getting into hell.
They approach a reaper, who is playing that part of a Taxi Driver, they propose their need to get into hell and when the Reaper tells them he is the same Reaper that took Bobby Singer to hell Dean is hell-bent on getting his soul and sending it to heaven. The boys have a small discussion when Dean wants to go with Sam and Sam has to remind Dean that he has to do the trials alone and he will get Bobby back. The Reaper tells Dean to return for Sam in 24 hours and then leads Sam into an alleyway and instructs him to take his hand. As he does Sam mutters how creepy it all is.
The alley starts to twist and move and Sam starts to get nervous, but all of a sudden they appear in a grey forest. Sam asks RJ if they were in hell and RJ tells him that they are in purgatory. Sam begins to get upset saying that he paid to get to hell and RJ tells him to calm down and gives him directions to the backdoor (a portal) to hell but tells him to be back in the same spot in exactly 24 hours. Meanwhile Dean returns to the location where Kevin is hiding out. Kevin emerges from the closet, convinced that Crowley is in his head, spouting that it is the safest place to be. Dean gives the boy a lecture about how he has to suck it up and just keep going, but Kevin isn’t convinced and scurries back to his room with Dean’s pie in tow.